Archive for year: 2018
We love when Art and Light covers intertwine and create yet another “Who Knew” moment…
Thanks to The deCordava Museum! See for yourself:
Andy Graydon often creates sound-based installations, films, and sculptures to address themes of community, history, and language. He is drawn to second-hand objects that reveal traces of their history, questioning how their meaning changes when placed in a new context. For his original PLATFORM commission, Graydon has created a series of sculptural instruments made from discarded street lamps. Rather than casting light, the lamps in City Lights Orchestra are intended to resonate with sound. Sourcing most of the hollow plastic forms from Cambridge, Graydon based the sculptures on worldly instruments including Taiko drums and the Indonesian gamelan, a musical device characterized as “one instrument played by many people.” The gamelan is typically comprised of a large set of bells, drums, and gongs that create a signature percussive music when played collectively. Graydon’s version mimics the traditional gamelan design, with the repurposed plastic globes arranged as table-top bonang or suspended from metal frames like gong ageng. City Lights Orchestra also incorporates references to Japanese Taiko drums, the sculptural instruments of American composer Harry Partch, and the Futurists’ intonarumori.
City Lights Orchestra complements other sound-inspired sculptures in the Sculpture Park, from the nearby Musical Fence (1980) by Paul Matisse, to Nancy Winship Milliken’s Pasture Song (2018) made from used cello bow strings, and even Ron Rudnicki’s Rain Gates (2000), in which the sound of trickling water descending the hillside becomes a subtle score to visitors’ experience of the landscape. Installed in an S-shaped formation, City Lights Orchestra is intended to take on a variety of roles, depending on who is approaching it. For the passive viewer it is a sculptural assemblage, while for the more active viewer it becomes an interactive artwork intended for play and collaboration. The many possibilities for engaging with City Lights Orchestra reveal the work’s true form as a sculpture-in-the-making, an ongoing composition performed in both structure and sound.
PLATFORM is a series of one-person commissioned projects by early- and mid-career artists from New England, national, and international art communities that engage with deCordova’s unique landscape. The PLATFORM series lets artists expand their practice and visitors experience new approaches to contemporary sculpture.
In 1775, people in New England began fighting the British for their independence.
On July 4, 1776, the final wording of the Declaration of Independence was approved, and the document was published. Independence Day became a paid holiday In 1941.
The first description of how Independence Day would be celebrated was in a letter from John Adams to his wife Abigail on July 3, 1776. He described “pomp and parade, with shows, games, sports, guns, bells, bonfires, and illuminations” throughout the United States. However, the term “Independence Day” was not used until 1791.
Interestingly, Thomas Jefferson and John Adams, both signers of the Declaration of Independence and presidents of the United States, died on July 4, 1826 – exactly 50 years after the adoption of the declaration.
Fluorolite Plastics will be closed this Wednesday, July 4, 2018 in observance of Independence Day.
Have a safe and happy holiday!